CELLO SONATA NO. 2 in F MAJOR, OP. 99 Recording: Yo-Yo Ma, cello and Emanuel Ax, piano (RCA Red Seal 82876-59415-2) Published 1887.
Brahms' antiquarian interests, his studies of music from the Renaissance to the Classical periods, show in his work — he edited and helped publish a two-chorus motet by Mozart Venite Populi, he had a collection of sonatas by Scarlatti — and in his composition, his motets Op. 74, his interest in the fugue and the passacaglia (outside of organ music such as Josef Rheinberger's Sonata No. 8.
If the First Sonata shows Brahms the young man presenting his credentials as a scholar and a mature gentleman, the Cello Sonata No 2 in F major Op 99 is the work of an older man composing music with all the passion and sweep of youth.This cello sonata is the earliest published work for solo instrument and piano, and the only example from the period of first maturity, which is rich in other chamber music genres. Brahms appreciated the cello’s qualities as a melodic voice, and had given it the opening themes of the B-major Piano Trio and the B-flat-major String Sextet.After his first cello sonata, Brahms wrote all four of his symphonies before turning to a second sonata. Although it's a product of his middle years, this F major work is marked by a youthful boldness and symphonic approach to the piano writing, while never sacrificing a generous, easy lyricism.
The chamber music of Brahms has sometimes posed a challenge for music criticism. Even in his day, Robert Schumann claimed the exalted status of veiled symphonies for certain of Brahms' more intimate works (though some have pointed to chamber-esque qualities in his symphonic writing, as well). It does not help those trying to characterize this music that the typical Brahmsian mix of forward.
The Cello Sonata No 1 in E minor Op 38 was started in 1862, when Brahms was not yet thirty, with the finale being added to the long-completed first two movements in 1865. This, his first surviving duo-sonata, is an important work, in some ways a turning-point.
Brahms: The Three Violin Sonatas. Andrew Clements. Published on Fri 27 Jul 2001 11.54 EDT.. In 1879, he produced what we now know as No 1, the G major Sonata, Op 78.
I really enjoyed Brahms’ Violin Sonata No. 3. The piece was musically very interesting, and contained a very strong sense of continuity throughout. The piece shifted between a violin melody with a piano accompaniment and a piano melody with a violin accompaniment smoothly, which provided th.
Beethoven Piano Sonata No.1 in F minor, Op.2 No.1 Analysis. A detailed guide that analyzes the structural, harmonic and thematic frame. 1. Allegro 2. Adagio 3. Menuetto - Allegro 4. Prestissimo.
Analysis of Brahms, Piano Sonata, No. 1 in C major, Op. 1 Coda By: Ariel McAphee Theme 1 Piano Sonata, No. 1 in C major, Op. 1 First published work Was is his frst work? Schumann Any Influence? Movements Technique Closing Theme Who is Brahms? German Composer Innvator Pianist.
Brahms Violin Sonata No. 1 in G,. more ominous central passage, and you can hear when E major returns and the sky clears, but if you’re looking at that progress bar, there’s at least a quarter of the playing time left in this movement.. Brahms Cello Sonata No. 1 in E minor, op. 38. Next Next post: Grieg String Quartet no. 1 in Gm, op. 27.
Brahms, Johannes (1833-97) Works. Brahms: Cello Sonata No. 1 In E Minor, Op. 38; Brahms: Cello Sonata No. 2 in F major, Op. 99; Brahms: Hungarian Dance No. 1 in G minor; Brahms: Hungarian Dance No. 4 in F sharp minor; Brahms: Hungarian Dance No. 5 in G minor; Brahms: Hungarian Dance No. 7 in A Major; Brahms: Hungarian Dance No. 11 in D minor.
LUDWIG VAN BEETHOVEN’S SONATA FOR CELLO AND PIANO. IN F MAJOR OP. 5, NO. 1: AN ANALYSIS AND A PERFORMANCE EDITION. by. JeeHyung Moon. An essay submitted in partial fulfillment. of the requirements for the. Doctor of Musical Arts degree. in the Graduate College of. The University of Iowa.
The timbre of Isserlis's gut-strung cello is another plus, its beautiful baritone better-integrated and more powerfully produced than it was in his first recordings of the Brahms Sonatas 20 years ago.
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